STUDY GRAVITY

“Yeah, I just want to say there's about 10% AI in the film, but there's 90% blender. And that's actually handmade CGI. So everything you see is all handmade. And even the de-aging of Bob Lazar, we scanned Bob. We went over to his house, scanned his face, took a process of de-aging him through that, then creating a digital model of Bob in different ages, and then placing him in the environment.”

“So, late 80s, you've essentially told the exact same story all these years. And then, within the last, you know, nine, ten years, we've started to get all these reports. There was the New York Times story. There was the GoFast video and the FLIR video and all these videos that show a craft that's moving the way you described this sport model moving.”

“It really made a big difference when he showed me some things and, you know, walking down the corridor here and turn, oh, stop. Wait, there's another door there. I mean, it was like I was going back into the facility and really brought. I mean, actually seeing it again really brought some things back that I had completely forgotten about.”

“I guess these guys were lifers though. I mean, they spent most of their time there. They spent at least two weeks at a time and one week off. So they stayed at the base. I mean, these guys were hardcore. I had just come in on the project, you know? So, I don't know. I don't know what happened to them. I'd love to know. I suspect that Dennis Mariani, my supervisor, died.”

“It's amazing because you've told the same one for all these years. It's also not normal. Like, normally, when people lie, they get bored with the same lie and then they come up with another lie. And there's some other stories. Eventually, you catch them. There's some cockamamie new thing that they come up with. And it's the type of people that are that deceptive.”

“Yeah, I just want to say there's about 10% AI in the film, but there's 90% blender. And that's actually handmade CGI. So everything you see is all handmade. And even the de-aging of Bob Lazar, we scanned Bob. We went over to his house, scanned his face, took a process of de-aging him through that, then creating a digital model of Bob in different ages, and then placing him in the environment.”

“So, late 80s, you've essentially told the exact same story all these years. And then, within the last, you know, nine, ten years, we've started to get all these reports. There was the New York Times story. There was the GoFast video and the FLIR video and all these videos that show a craft that's moving the way you described this sport model moving.”

“It really made a big difference when he showed me some things and, you know, walking down the corridor here and turn, oh, stop. Wait, there's another door there. I mean, it was like I was going back into the facility and really brought. I mean, actually seeing it again really brought some things back that I had completely forgotten about.”

“I guess these guys were lifers though. I mean, they spent most of their time there. They spent at least two weeks at a time and one week off. So they stayed at the base. I mean, these guys were hardcore. I had just come in on the project, you know? So, I don't know. I don't know what happened to them. I'd love to know. I suspect that Dennis Mariani, my supervisor, died.”

“It's amazing because you've told the same one for all these years. It's also not normal. Like, normally, when people lie, they get bored with the same lie and then they come up with another lie. And there's some other stories. Eventually, you catch them. There's some cockamamie new thing that they come up with. And it's the type of people that are that deceptive.”